He ran through his own memories, dragging her into the dark corners of his childhood where the technicians couldn't find them. He hid her under the kitchen table of his four-year-old self; he tucked her behind the hum of a basement furnace. For a moment, it worked. They stood in the rain of a memory he hadn't thought of in decades.
But Eterno Resplandor de una Mente Sin Recuerdos (the Spanish title for Michel Gondry’s masterpiece) suggests a paradox that the English title only hints at. It speaks of radiance and light within a void.
Valdís Óskarsdóttir, who cut the movie Eternal Sunshine of the Spotless Mind by Charles Kaufman is apparently one of the favourite... Valdís Óskarsdóttir Kate Winslet
The film argues that our experiences—even the painful ones—define who we are. The ending is famously debated as either a hopeful "okay" to trying again or a tragic cycle doomed to repeat itself.
"I could die right now, Clem. I'm just... happy."
As memories are deleted, Joel relives them in reverse. He re-experiences their breakup (Clementine saying, "Too many guys think I’m a concept, or I complete them, or I’m gonna make them alive. But I’m just a fucked-up girl who’s looking for my own peace of mind."). Then he goes to their happy times.