One cannot discuss Ls Land Issue 25 without examining its art. Early issues of Ls Land were criticized for uneven linework and flat grayscale shading. By Issue 25, L. Sturm had either hired a new inker (rumored to be the French artist "M. Delacroix," though uncredited) or underwent a radical personal evolution.
For the uninitiated, start elsewhere (Issue 19’s “Ruins and Remediation” is a better entry point). For the faithful, this is a necessary, if occasionally infuriating, addition to the canon. And for the curious? Find a copy before the 1,500 disappear into private collections and library reserves. The boundary is dissolving, and Issue 25 is the best map we have. Ls Land Issue 25
The issue’s most provocative section is “Trespassers Welcome,” a symposium on squatter’s rights and psychogeography. Legal scholar Dr. Henri Voss contributes “The Line of Scrub,” a dense but rewarding analysis of how invasive plant species (kudzu, Japanese knotweed) effectively redraw property boundaries faster than any court ruling. Voss’s argument—that ecological succession is a form of adverse possession—is the kind of lateral thinking that Ls Land pioneered. However, the symposium’s centerpiece is an anonymous diary from a “professional squatter” in Berlin, detailing the emotional toll of living in legal limbo. It is raw, uncomfortable, and essential. One cannot discuss Ls Land Issue 25 without
Overall, Ls Land Issue 25 proves that the series is aging like good rye whiskey — sharper, smokier, and not for everyone, but absolutely essential for its intended audience. Sturm had either hired a new inker (rumored
LS Land appears to be a modeling or photography publication, possibly a magazine or online series, featuring adult content. Without more context, I'll provide a general outline, and you can fill in the specifics.