| Theory | Relevance to the Study | |--------|------------------------| | (Hall, 1997) | Explores how meanings are produced and negotiated through media texts. | | Romantic Ideology (Giddens, 1992) | Provides a lens to examine the construction of love and intimacy in late‑modern societies. | | Gender Performativity (Butler, 1990) | Helps unpack how femininity and masculinity are performed within the “princess‑boyfriend” trope. | | Consumer Culture Theory (Arnould & Thompson, 2005) | Assesses the commercial logic behind lifestyle‑romance hybrids. |
Dunia hiburan tanah air nggak pernah sepi dari kabar asmara para selebgram dan influencer hits. Belakangan ini, nama "Si Cantik" Putri si cantik putri ngewe mesra sama pacar dream indo18
At the heart of this content is the "girl-next-door" archetype. Influencers like "Putri" represent an aspirational yet attainable lifestyle for young viewers. By sharing "mesra" (affectionate) moments with a partner, these creators humanize themselves. For the audience, watching these interactions is less about the individuals and more about the projection of their own romantic ideals. It transforms a private relationship into a public performance that fuels engagement and relatability. The Dream Indo18 Aesthetic | Theory | Relevance to the Study |
Providing a space for fans to discuss their favorite influencers' journeys. The Impact on Indonesian Youth Culture | | Consumer Culture Theory (Arnould & Thompson,
For fans of Indo18 , Putri and her boyfriend are the standard. They remind us that romance isn't dead—it’s just being redefined through monochrome filters, soothing playlists, and quiet moments of care.