Vikram’s obsession began with a single, grainy photograph he’d found in a flea market—a still of a man in a trench coat, his face partially obscured, standing against the backdrop of a recognizable South Bombay landmark. The man held a rifle case, and the intensity in his eyes was unmistakable. On the back, a faint pencil inscription read: Shikari, 1978. Scene 42.
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