While I cannot link to copyrighted files, you can legally find these "secret" texts for free on or Project Gutenberg . Search for:
Another material secret is the ground (primer). Most masters do not paint on pure white. A toned ground—warm grey, burnt umber, or raw sienna—provides a middle value against which both shadows and highlights can be judged. This eliminates the intimidation of a blinding white canvas and accelerates value judgment. A secret from Rembrandt’s studio: a dark, warm brown ground with a rough texture (using sand or pumice) creates tooth that “grabs” the first thin wash, giving shadows a luminous depth that shines through subsequent layers. oil painting secrets from a master pdf
The difference between a student painting and a "Master" painting is rarely skill. It is While I cannot link to copyrighted files, you
Download that PDF. Print out the page about "values" or "edges." Tape it to your easel. A toned ground—warm grey, burnt umber, or raw