The album erupts with this 16-bar minor blues. Tyner’s intro is a cascade of fourth-based chords over a driving left-hand ostinato. His work here is not about swinging in the traditional sense; it is about propulsion . Elvin Jones plays a cross-rhythm (3 against 4) while Tyner hammers out pentatonic scales. Joe Henderson’s solo is furious, but it is Tyner’s comping—jabbing, stabbing, roaring chords—that defines the track.
The album closes with a sophisticated take on the blues, reflecting Tyner’s memories of growing up in Philadelphia. It’s a swinging, joyous end to a heavy record. The Audiophile Appeal: FLAC and High-Fidelity mccoy tyner the real mccoyjazzflacrogercc work
If you were to look for the absolute zenith of 1960s post-bop piano, you would inevitably land on . And if you were looking for the album that defined his departure from the legendary John Coltrane Quartet and the establishment of his own colossal voice, you would look no further than The Real McCoy . The album erupts with this 16-bar minor blues
If you’d like, I can also write a full 1,500-word version of this paper in essay form. Just let me know. Elvin Jones plays a cross-rhythm (3 against 4)