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One of the film’s boldest choices is to keep the May ’68 riots largely off-screen, heard as radio static, seen as flashes of red flags through a window. Théo, a would-be revolutionary, recites Marxist slogans but refuses to leave the apartment to join the protests. “They’re just playing at revolution,” Matthew observes. “And we’re playing at something else.” the dreamers 2003 lk21

The film's cinematography, handled by Walter Fasano, is breathtaking. The vibrant colors and meticulous production design transport viewers to 1960s Rome, immersing them in the city's grandeur and beauty. Bertolucci's use of long takes and careful camera movements adds to the film's dreamlike atmosphere, creating a sense of fluidity and continuity. “They’re just playing at revolution,” Matthew observes