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Yet, the core remains. Even as the industry experiments with genre—horror ( Bhoothakalam ), sci-fi ( Minnal Murali —the first Indian small-town superhero film), and neo-noir—the films never lose their cultural specificity. The superhero in Minnal Murali doesn’t save the world; he saves a single tailor shop in a village called Kurukkanmoola from a villain who is also a victim of caste discrimination.

Malayalam cinema began with J. C. Daniel’s silent feature Vigathakumaran (1928), which notably focused on social drama rather than the mythological themes prevalent in other Indian industries at the time. Yet, the core remains